R E I M A G I N I N G
What happens when we reimagine how beauty, wellness and desire are experienced?
Old Fashioned On The Rocks
2025, framed synthetic polymer paint on acrylic paper 350gsm, 12cm x 10cm, (framed) 15cm x 13cm (SOLD)
An earthy floral arrangement emerges from a chamomile glow underpainting. A lavender misted veil of unconcealed brushwork breathes life behind a painterly floral arrangement, grounded in solid caramel bronze vase. Living in a repurposed vintage frame, the artwork reflects enduring symbols of beauty, flowers, which are created from the artist’s imagination. Old Fashioned On The Rocks responds to the artist’s (self-imposed) burden, to both captivate the viewer’s eye while stimulating the mind.
Intimate
2025, framed synthetic polymer paint on acrylic paper 350gsm, artwork 6cm x8cm, (including frame) 10cm x 12cm (SOLD)
Intimate is not explicit, it suggests. Rendered amongst a charcoal and milky sienna scene, the still life presents muted-earthy objects of pleasure, enhancement and care: vibrators, a red-light-face therapy device and a pelvic floor trainer. Contemporary in their function, the family of forms nestle into the illusion of moulded materials. In this composition, the personal becomes sociological and what was once private becomes unapologetically thrust into the public arena.
Concealed
2025, framed synthetic polymer paint on acrylic paper 350gsm 12cm x 17cm, (including frame) 16cm x 21cm (SOLD)
Concealed prompts the viewer to question what we are taught to hide. Which truths provoke public and private disgust, and why? A commonly used and discarded object, a tampon, lays on a bed of ambiguous material, amplified by a background of onyx unresolved brush strokes. Framed in playfully delicate neo-Rococo sentiments, it is not the object itself that demands attention, but the act of paying attention at all. What happens when beauty and discomfort share a space? What would it look and feel like to reconsider where shame is directed?